We produce more than
Feature Films, commercials, branded content activations, live events and so much more, we've got the experience needed to take your production to the next level!
Covid-19 Compliance
Certified
We've completed Safe Sets International Covid-19 Safety Compliance course for Film and Media Industries.
Don't run out of
Gaff Tape!
We carry a full range of production essentials. Check out our Online Store!
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Take a look at some of our past work, and feel free to contact us to see how we can work together.
Production • Marketing •Film • Digital
Production Services
Whether your production needs an experienced Line Producer or a Key Grip, we've got you covered!
About Us
KHA Entertainment began after an unexpected YouTube video went viral... The rest is history (that you can read about here)
Our Portfolio
Feature Films, Live TV, YouTube Videos, Commercials, Live Events, and more! Take a look at some of the many things we produce.
LATEST POSTS FROM OUR BLOG
We Are Hosting a "Spider-Man: No Way Home" Screening!
KHA Entertainment is proud to be hosting one of the first showings of Spider-Man: No Way Home on Opening Day, December 17th!
Unboxing the new Snapmaker 2.0 A350 3D Printer, Laser, CNC
The awesome people over at Snapmaker sent me one of their highly coveted Snapmaker 2.0 A350 all in one machine to unbox
The first Steadicam Test Shots by the inventor Garrett Brown, 1974
It's fair to say that the Steadicam and all the variants of camera stabilization equipment it has inspired over the last few decades
Covid-19 Compliance Certificate
We take the safety of our cast, crew and associated very seriously, which is why we've taken the necessary steps to complete
We love being on set.
Hire us to work on yours!
Whether your planning a music video, a feature film, or anything in between we can provide years of production expertise and industry experience to make your project run smoother!
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OUR CLIENTS
WHAT IS A PRODUCER ANYWAY?
There's more than one type of producer on most projects. Here's a quick breakdown of some primary producer roles.
A Line Producer (sometimes simply labeled a "producer" on some productions) is a primary decision maker that can handle a vast array of duties such as budgeting, scheduling, securing locations, hiring/firing crew, casting, etc. They can also be involved in the creative process as well. As production sizes increase the number of producers increases as well and these tasks then often become divided up into more specific producer roles.
Field Producers will generally be reporting back to a Line Producer or Supervising Producer back in the office, but while out in the field on a shoot they are calling the shots. Field producers not only have to keep track of budgets, locations, schedules for each project but they are also responsible for booking talent and assisting in the development of the creative narrative for the project. Field producers are generally used in News Broadcasts, Documentaries, and other types of Reality Programming.
The Executive Producer normally means the person who oversees the entire production. They usually do this by hiring a number of other trusted producers to work under them and report back regularly. This allows an executive producer to better manage multiple projects at one time. In today's day and age people also associate the term with the person/persons who financed the project, and while that can be the case there are plenty of times where the Executive Producer is not also the Financier.
TESTIMONIALSTHOUGHTSOPINIONS
“Everyone hire Billy Brenner [KHA Entertainment] - except on days we want him! He simply makes production run smoother.”
Whitney Avalon - Princess Rap Battles
Billy is one of the most dependable and hardworking individuals I've had the pleasure of working with. I never have to worry about any job he's on. If something isn't working, he takes action and fixes it. And if it's already working, he tries to figure out a way for it to work better.
Don Wongprapan - Authentic Talent and Literary Management
A Grips' responsibility is to build and maintain equipment that supports other departments. Those being primarily Camera and Electric but can also include Art and Production. This could be a simple as setting up a dana dolly (a simple camera slider for cinema cameras) to rigging intricate truss systems using heavy equipment. Non-Union grips tend to be looked at as "Jack of all Trades" whereas a Union Grip will be more restricted on what things on set they can and can't do.
The Electrical Department has several roles, including Gaffer, Lighting Designer, Electricians, etc. The Gaffer works with the Director of Photography to build the proper lighting profile for each scene. Electricians run the power from wall panels or generators and place power distribution boxes (aka Lunch Boxes) around the set. A Lighting Designer operates a switchboard that allows...
The Electrical Department has several roles, including Gaffer, Lighting Designer, Electricians, etc. The Gaffer works with the Director of Photography to build the proper lighting profile for each scene. Electricians run the power from wall panels or generators and place power distribution boxes (aka Lunch Boxes) around the set. A Lighting Designer operates a switchboard that allows lighting schemes to be automated on more complex sets or to replicate various environmental lighting effects easily. On smaller projects, a single "Gaffer" might have the responsibility of all these roles and even some grip duties as well.
Camera department is of course the most important department after Production itself. The lead role in the Camera department is the Director of Photography or DoP. The DoP works closely with the Director, Producers, and Talent to frame up every single shot as well as with the Grips, Electric, and Art departments to make sure all aspects of a scene are perfect before hitting record. Sometimes the DoP operates the camera him/herself but it's quite common...
Camera department is of course the most important department after Production itself. The lead role in the Camera department is the Director of Photography or DoP. The DoP works closely with the Director, Producers, and Talent to frame up every single shot as well as with the Grips, Electric, and Art departments to make sure all aspects of a scene are perfect before hitting record. Sometimes the DoP operates the camera him/herself but it's quite common for a DoP to have additional Camera Operators working under them, especially when multiple cameras are being used or specialty equipment like Steadicams, Gimbals, Jibs, etc are needed to get the shot.
What crewdo you need?
A primary aspect of any production is finding the right crew to get the job done! Let us point you in the right direction, no matter what department you need to fill!
